Frank E Cummings lll

Background

Frank E Cummings lll is a sculptural artist who was working, learning and a growing artist. Alternatively, Frank E Cummings lll was an art professor and a university administrator. As an art professor, Frank E Cummings lll taught in the United States and various countries in western Africa. Additionally, he served as National Endowment of Arts consultant in Washington DC. Frank E. Cummings III skills and creativity involves cohesive and unifying aspects, which are vital in teaching and administration (Fine Woodworking, 1975. Frank E Cummings lll work is exhibited nationally. Some of his collections have been kept in the Renwick Gallery, White House American Craft Collection and the Smithsonian Institution. Artistically, Frank E Cummings lll is known for various vessel forms, which he formed on the lathe.

In developing the vessel forms, the artist would then chisel and saw them. In his work, Cummings used a variety of woods, metal and gems (Fine Woodworking, 1975. Cummings views his work as a form of communication, which reveals his identity and allows other people to confront different ideas, emotions and feelings about themselves. Alternatively, through his art collections, Cummings III used his identity as a human emotions barometer and to create art objects, which evoke emotions within individuals. Just like any other artist, Cummings learnt the master of art through continual practices and experiences.

Formal analysis and design principles

Only Time Will Tell

Only Time Will Tell artwork is one of the most common Frank Cumming III art collections. Generally, Cummings took a lot of time in creating the piece of art. One Time Will Tell artwork is created from various art pieces, which were put together to come up with the collection. Some of the common art pieces used to create the artwork include curly and spalted bubinga, ebony, rosewood, oak root, African Blackwood, glass, 18k gold, porcupine quills and etched mirror. Other objects used on the art collection include rubies, topaz, tourmalines and black pearls (American Artist, 1940).

The clock artwork has delicately carved gears, which are always in motion with each part playing a vital role in time marking. The interior of the artwork is visible while the hands of the clock does not point numbers something which is common in clocks. However, the clock still manages to maintain time. Additionally, the back of the artwork has a circular hole that is filled with a screen, which is delicately carved and allows chiming of sound. There is also a light brown circular hub, which is on the center of the artwork gears. The circular hub is made from oak roots (American Artist, 1940).

Passion Fire II

Passion fire II artwork was developed from pink ivory wood, bleached box elder, pearls and18 kilograms of gold garnets. The box elder used to create the Passion Fire II is generally a common wood and has light brown streaks. Sometimes the wood has pink streaks. The Passion fair was altered by nature. Alternatively, the Passion Fire II artwork has a red flame-light quality, which is believed to come from a tree in Utah believed to have been hit by lightning.

In creating the artworks, Cummings ensured that he considered all aspects of art in his collections. The lines, shapes and color in both pieces are effectively put in place. Alternatively, Cummings collections have good texture to mean that the final touches on the art collections were considered. The patterns, scale, unity are well brought out in Only Time Will Tell artwork.

Work Cited

http://www.frankecummingsdesign.com/about/about.htm

American Artist. Stamford, Conn: Watson-Guptill Publications, 1940. Print.

Fine Woodworking. Newtown, Conn: Taunton Press, 1975. Print.