Must related One(Just one!) film from these:
1 Wedding Banquet (Xi yan 1993), dir. Ang LEE
2 Red Sorghum (Hong gaoliang 1987), dir. ZHANG Yimou
3 Cape No. 7 (Haijiao qihao 2007), dir. WEI Te-sheng
4 Infernal Affairs, 1 (Wu jian dao, 2002), dirs. Andrew LAU (LAU Wai-keung) & Alan MAK (MAK Siu-fai)
5 A Better Tomorrow (Yingxiong bense 1986), dir. John WOO
6 In the Mood for Love (Huayang nianhua 2000), dir. WONG Kar- wai

Instructions: For many film critics in the history of film, in the art of cinema, images and/or moving images have been seen as being more important than sound, though recently scholars have been reconsidering the significance of sound in film. In several of the films we have seen, sound indeed plays a crucial role. Choose 1 film and analyze the function of sound in that film. In your chosen film, how does sound work with—or against—image to produce meaning in key sequences? Does that film’s sound help to express a theme of that film and, if so, what theme does it help to express and in what scenes? Remember that sound includes not only music but also noise, dialogue and silence.