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Beethoven’s Symphony No. 5 in C minor

Ludwig Beethoven is one of the greatest artists of the classical period and most famous for the fifth symphony. The fifth symphony is remarkable due to its compelling energy in the entire first movement that is derived from the short four opening notes. The melodic outlines of the first bars, as well as the accompanying motive, build the second subject. The development section incorporates the use of motive and individual parts. The rhythm drives the first movement relentlessly, after an outburst, the ear and mind providing a period of relief some sort of meditation. The second movement consists of two alternating themes to which are driven by drums and trumpets which as well provides respite.

The third movement is a scherzo in a minor key and has the rhythm of the opening motive driving the music forward. The three movements consist of fugal passages that begin in the bass parts. When one expects a literal repetition of the scherzo, the music tends to return quietly and fragmented. The fourth movement is characterized by a long and mysterious crescendo that leads directly into the triumphant C major march, concluding the symphony. The fourth movement is not predictable just like the third movement. The opening motive and parts of the scherzo returns near the end of the march. The popularity of the symphony can be attributed to the association of the audience to Beethoven’s life and music style.